![]() The Waveform illustrates the brightness values of the image from left to right. Setting up the Waveform scope to appear beneath the image. You are now all set to start correcting the image. Then click it again and select the Vertical Layout option, which places the Waveform beneath the image in the Viewer. Click the Settings menu at the top right of the window, and select the Waveform. The Scopes provide brightness and color information about the current frame of video, and you have many options for configuring them. The Video Scopes window appears next to the Viewer. As you can see, Final Cut Pro X often gives you several ways to accomplish tasks. Click the tiny light-switch icon at the top right of the Viewer and choose Show Video Scopes, choose Window > Viewer Display > Show Video Scopes, or press Command-7. ![]() Note how the uncorrected shot of the grapes looks washed out.īefore you get to work in the Color Board, it can be helpful to have the Video Scopes open. The Color Board, with the Exposure pane selected. To do so, click the right-facing Show Correction arrow to reveal the Color Board. It’s enabled by default (as the blue box indicates), but it has no impact on the image until we adjust it. Using Color Finale® 2 or Color Finale® 2 Pro, users can then make stylistic adjustments to their Presets to better suit their content.The third tool, Correction, is what we are interested in, as it gives us the most creative control. Adding a professional color grade doesn’t get any easier than this!Įditors / Videographers - Presets are equally valid for those Final Cut Pro users who understand the color grading process, but want a professionally color graded look (a Preset) to start with. They can then copy and paste, or simply add, the same Preset look down their entire Final Cut Pro timeline. However, with just 4 clicks vloggers can quickly adjust powerful Exposure, Contrast, and White Balance controls to set their shots up optimally, before adding their chosen Preset look. Vloggers - color correction / color grading isn’t easy, we understand this. CF Presets are fully licenced, so you know who made them and how they made them.CF Presets obey global color parameters.CF Presets obey color management settings.CF Presets exhibit no image artefacts when used on different source material.CF Presets are suitable for a wide variety of source content.The key advantages of Color Finale Presets over LUTs are: Technically Presets are macros of color correction settings, and in our case, these are created by professional film / TV colorists. ![]() Think of a Preset as an adjustable LUT that can be tuned to work with multiple source video types. If you need to go back to Color Finale® 1.x use our Online License Manager to get old activation code and dowload old installer. ![]() Upgrade to Color Finale® 2 replaces Color Finale® 1.x. We will also transfer your previously purchased Color Finale®1.x Presets to Color Finale® 2 with the new license. If your links expire simply request a new link by entering the email address again into the box here. Links are temporary for security protection and will expire after 2 hours. Color Finale® 1.x Pro to Color Finale® 2 Pro or Color Finale® 1.x Pro to Color Finale® 2 Standard. The upgrade email will contain several options for upgrading e.g. If the email address is recognised a message will be sent to that email address with the links pre-populated with user information, and the coupon code. To receive an upgrade coupon enter the email address you used to purchase Color Finale® 1.x or LUT Gallery into the box here. We offer current users of Color Finale® 1.x and LUT Gallery a discounted upgrade program to Color Finale® 2.īelow are the prices (without local taxes) for the various upgrade options: ![]()
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